Monday, November 29, 2010
Sunday, November 28, 2010
Saturday, November 27, 2010
Friday, November 26, 2010
Wednesday, November 24, 2010
Tuesday, November 23, 2010
Monday, November 22, 2010
Sunday, November 21, 2010
Saturday, November 20, 2010
Friday, November 19, 2010
Thursday, November 18, 2010
Wednesday, November 17, 2010
Tuesday, November 16, 2010
Monday, November 15, 2010
Sunday, November 14, 2010
Friday, November 12, 2010
In addition to my daily photo, Dale, Rehanna and Trisha are #81 in my 100 strangers project.
Thursday, November 11, 2010
For the final shot, I had thought of shooting a family portrait, or a self-portrait, but my test shots weren't that different from other shots in the set, so I thought I'd assemble all my equipment. I could have squeezed myself into the shot, but I was already working in a very tight space and the backdrop and mirror were rather limiting.
My Nikon D80 is in the centre of the shot (on a Ultrapod mini tripod) with the newly repaired/adjusted Nikon 18-200mm VR lens. Actually, I have to make a correction already, as the camera is actually a gift I bought my wife a few years ago. Just last month, she officially gave me half the camera, so it's safe to say it's our camera. Thanks darling for letting me take this camera with me almost everywhere I went over the last year.
Top left are the other Nikon lenses I used, the 50mm 1.8, my wife's old 700-300mm G zoom and the kit 18-55mm VR, with a few lens hoods to their left. Over the year I did borrow a few lenses from a friend and they helped complete the project and add some image variety. Those lenses were the Nikon 10.5mm fisheye, the 105mm Micro and the Sigma 10-20mm. Centre is my Manfrotto monopod (a gift from my brother) and to the right is my old Black's tripod. Below the tripod is my Nikon SB-600 Speedlight with a diffuser and Aurora reflector. The point-and-shoot cameras are our original digital camera, the Canon Powershot A620 and the newer Fuji Finepix F200EXR. And let's no forgot my Blackberry - it came in handy a few times. On the left is my Zeikos battery grip and its AA battery holder. Behind my Blackberry are my Zeikoz close-up filters. Under the Canon are my new Cokin ND Grad filters with one of the filters attached with the holder on 18-55mm. Other bits and pieces include: my lens pen cleaner; a Rocket Air blower; battery charger with an extra battery (Zeikos); filter adapter rings; lens cap (which came in handy on lots of occasions to angle the camera up for a impromptu remote shutter release shot); my Nikon remote control; A small LiteDisc reflector; and lastly my Moo business cards (can't leave home without those). The shot took me a very long time to set up. Lighting could have been better, but I'm pretty happy with the shot.
So what have I learnt from the project ? I'll have to write a more comprehensive list at some point (without it becoming a book), but for now, here are a few things I learnt:
The D80 in-camera settings can produce very good JPG images. Often, it seemed to preserve and reproduce colour better than I could produce from RAW file (note that most of the time I shoot in JPG normal and RAW). Now this may be because I'm still not an expert on RAW post-production, but if I spend a little time tweaking the image optimization settings or use a vivid or vivid+ setting on dull weather days, I find I often prefer those images over my work from the RAW file. My normal (custom) settings (Nikon D80 shooting menu - optimize image) are: +1 image sharpening; +1 tone compensation; IIIa color mode; auto saturation and O hue adjustment. When I'm shooting with flash; I change tone compensation to 0 "normal". I leave white balance (WB) set to auto most of the time and often make a -1EV WB adjustment to add a little warmth. WB setting is usually the setting I forget, but in most situations, auto does a good job. On some occasions I noticed that some colours, especially red would be blown out in the RAW version, but the JPG seems to retain the colour better, this may be due to the in-camera noise reduction (NR). Similar in high ISO situations (above 800), the in-camera NR worked well, but after working with the RAW version, the final image looked too grainy. Again, this is likely because my RAW post-processing skills are not the greatest. Almost all the shots in the project were JPG, but these observations were made as I worked with RAW versions of other shots from the same event. So I'll likely continue to shoot in both JPG and RAW, using the RAW when I need to recover blown out areas (e.g. sky or facial), correct WB or process tricky lighting shoots in batch.
I shot a lot of black & white and was quite happy with the in-camera B&W setting. I used similar custom settings as in colour mode, and experimented a little with the B&W filters. I found that choosing a filter effect other than red was preferable for portraits.
I almost always use aperture priority mode, center focus mode with full matrix light metering. Auto-focus mode set to auto (AF-A) most of the time, but ready to switch to AF-C for moving subject (sports, etc) and AF-S to if auto mode isn't reading my brain !
I always carry an extra battery and my lens pen cleaner. The pop-up flash is ok on the D80, but the SB-600 Speedlight produces much more natural illumination, especially for interior shots. I almost always have a diffuser attached and on occasion use a defector to create better catchlights in the eye. I don't always carry the SB-600 with me, but it's nice to have the pop-up as a back-up when needed.
My 18-200mm VR lens is on the camera most of the time with the 50mm (nifty fifty) stepping in when striving for better portraits, in low light concert settings and for shallow depth-of-field artistic shots. I put the close-up filters to use quite a few times and because they are 52mm filters, used them on the 50mm and the 18-55mm fit lens. I also used a Hoya polarizer filter (cirpl tag, missing from the shot) quite often, especially for reflective effects and landscapes. I only recently bought the Cokin ND Grad filters so haven't shot a lot with them yet. They are a little awkward to use, but having different diameter adapters and a variety of filters provides a lot of flexibility.
Of course the biggest lesson I learnt was to always take your camera with you. Take shots often and don't be shy approaching situations and people. If you're just beginning with taking shots of strangers or people on the street, musicians, street performers and people gathered for an event are much easier subjects.
Tuesday, November 9, 2010
Monday, November 8, 2010
Mert's city music - #359/365, originally uploaded by PJMixer.
After dropping my business card off with same day strangers, Nathan and Camille I heard the smooth jazz groove guitar sounds of this young man outside my office on Dundas Street. I spent a some time working on getting a few street shots first, then introduced myself with my intro comment about his looping technique. For Mert's full story see his 100 Stranger shot.
I propped my camera up on its lens cap, focused manually, used a manual setting and custom image optimization to keep a blend of city lighting with a warmer street feel. I had to use a very high ISO (1250) as it was really dark (although you can't tell - remember a camera does better in low light than the human eye). Once again in-camera high ISO noise reduction worked really well. I had to take quite a lot of shots to frame the shot as I couldn't easily get down on my hands and knees in my work clothes (need a live view screen on that next DSLR).
Sunday, November 7, 2010
Saturday, November 6, 2010
I dropped off my daughter for a birthday party downtown and had a chance to walk across the Bathurst bridge and grab a few shots of the ever-changing Toronto skyline. My circular polarizer worked well to get the most out of today's cloudy sky, and I think it helped produce this rich cool blue and gray feel.
Friday, November 5, 2010
This large cactus had wide soft lush green leaves and I chose to centre the shot on just one leaf that was reaching out and it was one of the leaves that had its black tip intact. I had my 50mm 1.8, but closed the aperture down to f/2.8 to get more of the leaf in focus and still keeping the background soft. And to cap it off, the natural symmetry of the background leaves worked really nicely.
Thursday, November 4, 2010
Wednesday, November 3, 2010
I had my son try a few different poses and I centered him in the frame on most shots. I liked the casual pose the best as it seemed more natural, but I did crop and straighten a little to omit the dull wall on the right, but wanted to include one wall to provide some context. As he's looking left, I thought a little off centre to the right worked. I liked having the big city print (a shot I took about 25 years ago) in the frame and I like the continued reflection. I used slow sync flash to keep some of the late afternoon natural light.
But what makes the shot for me is the confident pose and the look on his face. He's becoming quite a good model for my endless family and creative personal shots. I think he learnt something today.
Tuesday, November 2, 2010
Ryerson flowers and garbage - wrecked landscape #21 and daily photo #353/365, originally uploaded by PJMixer.
I took a few shots, flip-flopping on whether to have the garbage in focus or not and a student walks into the frame and is talking on his cell phone and looking at the same scene. He there's long enough for me to frame the shot and before he leaves he uses his phone to take a picture of the same scene ! Was he thinking the same as me or just curious what I was so interested in ? He then turned and entered the building so I didn't get a chance to talk with him.
I recently read on Digital Photography School about multi-layered photography and thought this was a great example. There is the foreground image, it's connection to the garbage and then you have the student's story.
Monday, November 1, 2010
I took a little detour on the way home as the November early evening light was quickly fading. I haven't shot much architecture recently, and I hadn't noticed this building before. I thought the trees and the interior curved lighting was a nice mix with the architecture perspective and symmetry formula. I used the in-camera vivid image optimization setting to give the contrast, sharpness and colour and good boost.